Sobreposições electroacoustic music (2000), 9’ 17”
O Centro do Excêntrico do Centro do Mundo A for 16 vioces, 2 speakers and live electronics (1999/2002), 34’00”
O Centro do Excêntrico do Centro do Mundo B for 16 solo voices (1999/2002), 25’00” for 16 voices, 2 speakers and live electronics (1999/2002), 34’00”
O Centro do Excêntrico do Centro do Mundo B for 16 solo voices (1999/2002), 25’00”
Sound Preferences ou a Forma do Silêncio for flute, percussion, organ and live electronics (1999), 10’06”
A Ausência do Autor electroacoustic theatre for voice, table, paper, pen and live electronics (1999)
Nónio for 5 flutes, percussion and live electronics (1998/2002)
De l'Étant Qui Le Nie for piano and live electronics (1997/98), 17’02”
Parfaire le Bleu version II for clarinet, piano and live electronics (1998), 10’00”
Comunicações electroacoustic music (1998), 7’ 59”
Música e Texturas Sonoras insrtallation (1998)
Music for "Teatro Virtual" (1998)
Yuan Zhi Yuan for sporano, tenor, 6 traditional Chinese instruments, chamber choir and live electronics (1997/98)
Music for "12 Rounds" (1997)
Amen para uma ausência for flute and percussion (1996)
Parfaire le Bleu version I for flute, harpsichord and live electronics (1996)
Pulse Code Modulation for flute, percussion and live electronics (1996)
Music for "Sonho de uma Noite de Verão" (1996)
Múltiplos-Transitórios for marimba and live electronics (1995)
Sound Installation for "Terra-Mãe... Terra-Pão" Exposition installation (1995)
Music for "A Disputa" theatre play (1995)